2020 Recent Acquisitons
Untitled (legs) from People in trouble laughing pushed to the ground
Fibre base Lambda print
25.4 x 20.3 cms (9.98 x 7.98 ins)
Paradise Row, London
Acquired from the above by the previous owner in 2011
Adam Broomberg & Oliver Chanarin: People In Trouble Laughing Pushed To The Ground, Paradise Row Gallery, London, February - March 2011
Out Of Focus: Photography, September - November 2012, Saatchi Gallery, London
Sean O'Hagan, 'Turning photojournalism upside down', The Guardian, 19 April 2011
From the edition of 8.
People in trouble laughing pushed to the ground was produced by Broomberg and Chanarin in response to an invitation to work with the Belfast Exposed photographic archive in Northern Ireland. The series of circular images includes soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling...
The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains.
Broomberg and Chanarin have explained that "Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. Whenever an image in this archive was chosen, approved or selected, a blue, red or yellow dot was placed on the surface of the contact sheet as a marker. The position of the dots provided us with a code; a set of instructions for how to frame the photographs in this book. Each of the circular photographs shown on the previous pages reveals the area beneath these circular stickers; the part of each image that has been obscured from view the moment it was selected. Each of these fragments - composed by the random gesture of the archivist - offers up a self-contained universe all of its own; a small moment of desire or frustration or thwarted communication that is re-animated here after many years in darkness. We would like to acknowledge and thank the original photographers Mervyn Smyth, Sean Mc Kernan, Gerry Casey, Seamus Loughran and all other contributing photographers to Belfast Exposed's archive."
The series was mostly recently exhibited in 30 Years of Photography, Belfast Exposed, May 2013 and at Tate Modern in the exhibition Conflict, Time, Photography, 2015