Andrew Bruce and Anna Fox

Key Works. An overview of British Photography

The Hyman Collection of British Photography holds vintage photographs and editioned prints of many of the most famous and iconic photographs in British Photographic history as well as remarkable, but less familiar, images.

Key Works presents photographs from the collection to chart the ways in which British photographers have responded to the world around them from the documentary strategies of Bill Brandt and Picture Post photographers such as Bert Hardy and Kurt Hutton, through Roger Mayne and Tony Ray Jones, and on to Martin Parr, Paul Graham and their legacy.

As well as including forms of documentary photography, the collection focuses on artists working in photography who have pursued more subjective or conceptual strategies. The collection has an equal number of works by male and female artists.

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Body Politics. Pictures of Health

The Hyman Collection has many works which address the human body, mental and physical health, mortality and vulnerability.

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Land of Make Believe

A central aspect of the Hyman Collection's holidings of British Art addresses masquerade, performance, costume, ritual, parade. There is a strong thread of fantasy and a variety of works that respond to eccentricity, constructions of identity, and the heritage industry. From the drama of the street to more internal monologues, these mini fictions question the authenticity of what is shown.

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Queen and Country

The Hyman Collection includes many works which present folk customs, constructions of national identity and that address forms of patriotism and nationalism. At their centre is the flag and references to royalty, prime ministers and the establishment.

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Spitting Image. Margaret Thatcher and the Golden Age of Political Satire

The 1980s under the premiership of Margaret Thatcher was one of the most divisive decades in twentieth centruy British history. A decade of enormous cultural, social, political and economic change, this was the context in which many of the greatest British photographers of the last half century established their practice and developed forms of subject documentary photography to address a society in flux. It was an age of powerful political satire from the puppets of Spitting Image to the pages of Private Eye.

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