Key Works. An overview of British Photography
The Hyman Collection of British Photography holds vintage photographs and editioned prints of many of the most famous and iconic photographs in British Photographic history as well as remarkable, but less familiar, images.
Key Works presents photographs from the collection to chart the ways in which British photographers have responded to the world around them from the documentary strategies of Bill Brandt and Picture Post photographers such as Bert Hardy and Kurt Hutton, through Roger Mayne and Tony Ray Jones, and on to Martin Parr, Paul Graham and their legacy.
As well as including forms of documentary photography, the collection focuses on artists working in photography who have pursued more subjective or conceptual strategies. The collection has an equal number of works by male and female artists.
Behind Closed Doors
Behind Closed Doors looks at the domestic interior in British Photography. It takes as its starting point three of the most important bodies of work by Bill Brandt: his first book, appropriately entitled The English at Home (1935), his documentation of poverty in northern England, and his pioneering domestic nudes. It explores the parametres of these bodies of work: from documentary to fiction, realism to something more surreal. This historical engagement suggests that to understand contemporary depictions of the home there is much to learn in exploring a lineage that extends from Bill Brandt through the crucial years of Picture Post magazine (Kurt Hutton, Burt Hardy) and on to more conceptual strategies since the 1970s. It ends with some of the most important work of recent years, the devasting series, Small Town Inertia, by Jim Mortram.
The photographers include Cecil Beaton, Bill Brandt, Anna Fox, Ken Grant, Bert Hardy, Nick Hedges, Kurt Hutton, Colin Jones, Karen Knorr, Daniel Meadows, Peter Mitchell, Jim Mortram, John Myers, David Moore, Martin Parr, Polly Penrose, Jo Spence.