Behind Closed Doors
Behind Closed Doors looks at the domestic interior in British Photography. It takes as its starting point three of the most important bodies of work by Bill Brandt: his first book, appropriately entitled The English at Home (1935), his documentation of poverty in northern England, and his pioneering domestic nudes. It explores the parametres of these bodies of work: from documentary to fiction, realism to something more surreal. This historical engagement suggests that to understand contemporary depictions of the home there is much to learn in exploring a lineage that extends from Bill Brandt through the crucial years of Picture Post magazine (Kurt Hutton, Burt Hardy) and on to more conceptual strategies since the 1970s. It ends with some of the most important work of recent years, the devasting series, Small Town Inertia, by Jim Mortram.
The photographers include Cecil Beaton, Bill Brandt, Anna Fox, Ken Grant, Bert Hardy, Nick Hedges, Kurt Hutton, Colin Jones, Karen Knorr, Daniel Meadows, Peter Mitchell, Jim Mortram, John Myers, David Moore, Martin Parr, Polly Penrose, Jo Spence.